EBOOK The Brazen Age

FREE PDF Ù BOOK The Brazen Age ì GWAIRSOFT ½ [EPUB] ✰ The Brazen Age Author David Reid – A brilliant sweeping and unparalleled look at the extraordinarily rich culture and turbulent politics of New York City between the years 1945 and 1950 The Brazen Age opens with Franklin Delano Rooseve A brilliantNin Also present are the pioneering photographers who captured the city in black and white Berenice Abbott’s dizzying aerial views Samuel Gottscho’s photographs of the waterfront and the city’s architectural splendor and Weegee’s masterful noir lowlife   But the political tone would be set by the next president and Reid looks closely at Thomas Dewey Henry Wallace and Harry Truman James Forrestal secretary of the navy under Roosevelt would be influential in establishing a new position in the cabinet before ascending to it himself as secretary of defense under Truman but not before helping to usher in the Cold War   With The Brazen Age David Reid has magnificently captured a complex and powerful moment in the history of New York City in the mid twentieth century a period of time that would ensure its place on the world stage for many generations From the Hardcover editi David Reid obviously did his research and had a lot of information compiled for this book However it felt disjointed After reading practically the whole first section I still wasn't uite clear about what time period this book was really covered The prologue seemed to say it was the 1950s but the book really spanned the whole first half of the 20th century It could have easily split into three books Reid tried to cover so much that he really couldn't go into detail at times and would just abandon people almost as soon as he mentioned him The subject matter is interested but I just don't think this book was particularly well done

David Reid ✓ The Brazen Age READER

A hub of book magazine and newspaper publishing In the s the rise of Hitler and World War II would send some of Europe’s most talented men and women to America’s shores vastly enriching the fields of science architecture film and arts and letters the list includes Albert Einstein Erwin Panofsky Walter Gropius George Grosz André Kertész Robert Capa Thomas Mann Hannah Arendt Vladimir Nabokov and John Lukacs   Reid draws a portrait of the frenzied creative energy of a bohemian Greenwich Village from the taverns to the salons Revolutionaries socialists and intelligentsia in the s were drawn to the highly provocative monthly magazine The Masses which attracted the era’s greatest talent from John Reed to Sherwood Anderson Djuna Barnes John Sloan and Stuart Davis And summoned up is a chorus of witnesses to the ever changing landscape of bohemia from Malcolm Cowley to Anaïs A shaggy book about a shaggy period But for all that not a bad bookI know I can be a bit of an asshole about book's structural issues; it's just what I see And structurally this book is a bit of a mess in fact it's a bit of a mess in some of the same ways that Richard Lingeman's Noir Forties was a bit of a mess And that book's infelicities bothered me while this one's just don'tReid nominally covers an even tighter period than Noir Forties not the entire decade but the post war years until 1950 And a tighter geographic span too just New York as opposed to all of America But Reid's book like Lingeman's has trouble keeping its eye on the subject He wanders all over the place with fully a third of the book devoted to the period before 1940 ranging as far back as the European origins of New YorkIt's an enjoyable read though The reason for the difference I think is that there is far less repetition We do meet and re meet some of the same characters but in different situations making different points The wandering feels less indulgent because it is not dictated by personal memories or preferences but the lineaments of the era And Reid has a good eye for the telling anecdote and revealing uote More simply put he's a good storyteller so if what the reader wants is story then it is possible to sit back and enjoy without worrying overly much where the narrative is going where it's been or why it is here exactlyThe thesis if that's the right word is fittingly loose allowing Reid to cram in all manner of subjects as he finds them interesting or necessary He says that New York became the world city par excellence in the 1940s because all of the other competitors London especially but also Paris and Berlin were destroyed by war and their cultural avatars came to this place as a refuge and so world culture was reconstituted here and stayed here mutatis mutandis even after the war as the refugees returned home and their cities were rebuilt because of the advantage that New York had accruedThe book opens with an extended political vignette the re election campaign of FDR in 1944 the reasoning for this opening not becoming clear until much later Reid then dips back into history for an extended section telling the history of New York from several different perspectives One can definitely get antsy during this section or one can choose to simply go with the flow As with most of the book Reid isn't really breaking new ground this is a tertiary history but he does make some novel connections and he does string together the various elements into a comprehensive if disjointed which is a reflection of the actual times imageThe book then turns its attention finally to the subject at hand the construction of New York as a world city built out of the remains of the New Deal the dirty thirties the grim resolve of the war and the Atlantic crossings of culture back and forth to Paris and London especially since the beginning of the 1900s Reid takes time to look at the construction of the idea of New York in literature And in photography Between these two vistas he shows New York and by extension America in the years immediately following World War II to be something other than unified and happy this was a period of intense labor and civil rights agitation and the re integration of so many soldiers back into civilian life was anything but easyHe then takes up the subject of New York's Bohemian life albeit this section one of the longest also spends the bulk of its pages on times before the 1940s going as far back as Pfaff's and Melville and Whitman before coming up to date though in a eulogizing mood already by 1948 Bohemia was being remembered not really lived There is also a chapter on Gay New YorkThe final two sections are closely connected and make sense of the beginning as well as the book's title Gore Vidal who appears freuently in the book wrote that he thought there was a brief period after World War II and before the clamping down of the Cold War when the 20th century had not a golden age but a not too brazen one when the progressivism of the New Deal might have been rescued when the arts flourished and might have continued to do so Reid thinks so tooAnd so part of these sections is a reuiem for this failed alternative But Reid doesn't really trust that even if events had turned out differently they really would have been that different the political and cultural impulses were going to be curtailed in one way or another; mostly he just wishes that the curbing wasn't uite so brutal If the Bohemian energy if Bohemian adventurism if skepticism of war and the Cold War could have been maintained America might have continued shaggy a bit pen a bit rather than curdling into the complacency of the 1950s Which is where Reid ends with that complacency with the Cold War going hot in Korea and America even as its sons were battling and dying and its government institutions were oriented around competition with the Soviets ignoring the demands of public culture and retreating toward private entertainmentsMost interesting about the book perhaps though is not Reid's loose argument and looser arrangement but what those say about the period at issue It's almost as if looking at this period was too difficult like the shaggy thing is a monster or a Lovecraftian creature of non Euclidean dimensions Reid constantly recurred to other time periods And when he discussed the period he discussed it not as it was but as it was portrayed in novels he insisted several times that during this period novels were news and photographsIn its way this is similar to Lingeman's decision to view the period through the lens of noir films It's not that I think these modes of investigation are illegitimate I don't but that they are revealing despite themselves The period is investigated it is at a remove through literature through photos through movies not as it was experienced directly by the people themselves We romanticize the era the Greatest Generation cut it out altogether from V J Day to Levittown and even Vidal could only define it glancingly as not too brazenThe period itself remains hidden under all that shag

READER å The Brazen Age ✓ David Reid

The Brazen AgeA brilliant sweeping and unparalleled look at the extraordinarily rich culture and turbulent politics of New York City between the years and The Brazen Age opens with Franklin Delano Roosevelt’s campaign tour through the city’s boroughs in He would see little of what made New York the capital of modernity though the aristocratic FDR was its paradoxical avatar a city The Brazen ePUB #199 boasting an unprecedented and uniue synthesis of genius ambition and the avant garde While concentrating on those five years David Reid also reaches back to the turn of the twentieth century to explore the city’s progressive politics radical artistic experimentation and burgeoning bohemia   From to New York City was a dynamic metropolis on the rise and it uickly became a cultural nexus of new architecture the home of a thriving movie business the glittering center of theater and radio and This is a very odd book As I understood it one is meant to learn about how the New York cultural scene between the end of the Second World War and the start of the Korean War represented some kind of false dawn for highbrow American culture one of those turning points of history where history failed to turn Instead it was as if there were two books that had been edited together to make one The first was turned into the central portion of this book a history of 'America's Bohemia' mostly Greenwich Village prior to 1945 The second was turned into bookends around this first book and describes Harry Truman's administration up to the outbreak of the Korean War including his surprise re election in 1948 The book has its moments but does not seem to live up to its title unless one is to read the subtitles why two as a list